Sonarworks reference 4 eq preset3/16/2024 ![]() I’d known of Sonarworks for a while, but I’d used room tuning software before, with varying degrees of success. But overall, attaining a flat frequency response for mixing and mastering is hellishly difficult. Sure…if you have $400, go get a set of Sennheiser HD 650 headphones, which have a pretty close to flat frequency response. Many of them hype the high and/or low ends. But if you mix in a room that, for example, emphasizes the bass, then you’ll mix the bass way lower than you should-and this doesn’t even take into account frequency response issues within the speakers themselves. If you mix with a flat response, then everything will sound a little bit wrong on systems that don’t have a flat response. We need a flat frequency response for mixing and mastering to minimize timbral differences when your mixes end up in a consumer playback system. So even if your speakers were perfect-which they’re not-the room will make them imperfect. They are the weakest link in our audio chain, because speakers form a partnership with your room’s acoustics. No matter how good our software is, or our musical chops, ultimately we have to mix (and listen through) speakers or headphones. ![]() It sounds too good to be true – flatten the response of your monitor speakers and headphones. This is an excerpt from a case study from written by Craig Anderton, Author and Educator at “flatten the response of your monitor speakers and headphones.” Once you start mixing with Sonarworks, you don’t want to mix without it. ![]()
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